unique instruments for unique musicians

singular recording techniques, intricate sampling, lovingly-refined interfaces... sounds crafted with character.

a synth at the mercy of time

everyone knows that analogue synths are magic, and quite a few people know that cassette tapes are magic too.

degradation engine is an entirely new kind of synth, because it lets you play with loss. gain access to fractured, unexplored worlds between the vibrance of an analogue synth and the fragility of microcassette tape.

a piano, up close

contact microphones have a lovely way of completely transforming their subject. they touch the sound source, giving us the most intimate, honest and fragile means of recording possible. a magical sound rarely heard.

piano macro is an upright piano filtered through this delicate lens. an instrument with a real story to tell, it has been meticulously sampled and arranged into an inspiring, user-friendly, truly one-of-a-kind musical tool.

border audio?

border audio is a project by a composer and producer called william jacobs. that's me! border audio instruments are all about novel and characterful approaches to recording and performance - swapping out flavourless expensive gear and sterile studio spaces for choices that have a bit more personality: things like contact microphones and cassette tapes, as well as a whole lot of love. it is called "border audio" because these tools go beyond the creative borders of traditional software instruments. it is also called "border audio" because i like border collies a lot.